The cover prominently features Roger Moore as James Bond and Grace Jones as May Day from 'A View to a Kill'. They stand back-to-back, suggesting a confrontational dynamic. Moore, in a tuxedo, holds a pistol, embodying classic Bond. Jones, in a striking black swimsuit, brandishes a cigarette holder and lighter, showcasing her formidable physique and exotic allure against a vibrant orange background. Smaller boxes highlight Madonna and another feature.

Grace Jones is depicted at the peak of her 'Amazonian' persona, embodying strength, androgyny, and fierce independence. This image amplified her unique appeal, contrasting sharply with traditional female Bond characters. Her powerful presence alongside Moore signified a shift in cinematic female villain archetypes. This cover highlighted 'A View to a Kill', Moore's final Bond film, showcasing Jones as a formidable adversary and groundbreaking figure, challenging gender presentation in mainstream cinema.

'A View to a Kill' marked Roger Moore's seventh and final portrayal of James Bond, making him the longest-serving Bond actor by film count. Grace Jones's May Day, originally written as an American character, became one of the most memorable and physically dominant Bond villains, cementing her status as a cultural icon known for her distinctive style. The 1980s saw a rise in powerful female characters, and Jones brought a radical, unconventional allure to the Bond franchise, challenging traditional stereotypes.

The STARLOG cover for 'A View to a Kill' in 1985 is a vibrant, action-oriented collage. Grace Jones, as May Day, commands attention with a stark, powerful headshot, her fierce gaze and dramatic styling conveying an imposing presence. This contrasts with a softer image of Roger Moore and Tanya Roberts. A central silhouette of Bond in action, surrounded by iconic gun-barrel motifs, anchors the design. The cover effectively juxtaposes traditional Bond glamour with Jones's groundbreaking, formidable persona.

This cover was significant for highlighting Grace Jones's trailblazing role as May Day, a physically dominant and stylistically unique antagonist in the James Bond canon. Her casting challenged conventional 'Bond girl' archetypes, reflecting changing cultural attitudes towards female power in cinema. For Starlog, featuring such a prominent, unconventional villain alongside the hero emphasized the film's distinctive dynamic and signaled comprehensive coverage for Bond enthusiasts, appealing to fans of cinematic spectacle and unique performances.

'A View to a Kill' was Roger Moore's seventh and final outing as James Bond, making him the longest-serving Bond actor at the time. Grace Jones's May Day was lauded for her formidable presence, a departure from many previous Bond antagonists. The film's acclaimed theme song was performed by the popular New Wave band Duran Duran, marking a significant cultural moment by bringing a contemporary music act to the franchise, a tradition continued by future Bond films.

Grace Jones dominates this June 1985 Starlog cover, embodying her 'A View to a Kill' assassin character, May Day. Her intense, direct gaze, angular features, and dark, minimalist styling project formidable power. She clutches a gun, signifying her menacing role. This striking image perfectly captures her unique, androgynous allure and fierce screen presence, a visual statement of an unconventional villain.

This cover marked Grace Jones's powerful ascent into mainstream cinema as a memorable Bond villain, May Day, introducing her singular appeal to a broader audience. For Starlog, it highlighted the genre-bending nature of 80s action, blending sci-fi with espionage. Jones's portrayal challenged traditional representations of female antagonists, cementing her as an iconic figure in 1980s pop culture.

Grace Jones's role as May Day was reportedly written specifically for her, capitalizing on her distinctive persona. 'A View to a Kill' was Roger Moore's final outing as James Bond. The cover also features 'Mad Max Beyond Thunderdome' with Mel Gibson and Tina Turner, and previews for 'Cocoon' and 'Explorers,' showcasing Starlog's broad coverage of sci-fi, fantasy, and action films of the era.

A striking close-up of Grace Jones dominates this June 1985 "VIDEO ACTUALIDAD" cover. Her intense, direct gaze and sculpted features are dramatically framed, highlighting her signature androgynous aesthetic. She appears to be wearing a rust-colored hood or garment, creating a stark contrast. The bold, stacked masthead "VIDEO ACTUALIDAD" and the prominent blue-on-orange banner "GRACE JONES CONTRA 007" immediately connect her to her highly anticipated role in the James Bond film, capturing her powerful, enigmatic screen persona.

This cover is immensely significant, appearing at the height of Grace Jones's mainstream cinematic visibility with *A View to a Kill* (released May 1985). It highlights her groundbreaking portrayal of May Day, an unconventional and formidable Bond henchwoman who defied traditional feminine stereotypes. For a Spanish video and film magazine, it underscored her global appeal and the cultural impact of her unique blend of music, fashion, and acting, symbolizing the 1980s embrace of bold, multifaceted, and non-conformist celebrity.

Grace Jones's role as May Day in *A View to a Kill* was iconic, making her one of the most memorable Bond antagonists. She famously performed many of her own stunts, showcasing her formidable physical presence. This film marked Roger Moore's seventh and final appearance as James Bond. Jones was already a celebrated fashion model and music artist, with her unique visual style, often created with Jean-Paul Goude, profoundly influencing 1980s aesthetics across entertainment and popular culture worldwide.