Contents Journals: London; Paris; Los Angeles.Notes On Film Noir (by Paul Schrader).Mr. Film Noir Stays At The Table: an interview with Robert Aldrich (by Alain Silver).Cine Cubano (by Pierre Sauvage).KLUTE, an analysis (by Robin Wood).Dziga Vertov, an Introduction (by David Bordwell); A Vertov Portfolio; The Vertov Papers.George Cukor (an interview with Fr. Gene Phillips).Film Favourites: SEVEN WOMEN; DEAD HEAT ON A MERRY-GO-ROUND.Critics: Otis Ferguson (by Gary Carey).Book Reviews: THE CITIZEN KANE BOOK (reviewed by Jonathan Rosenbaum).

Contents

Contents

Contents

Contents

Contents L.A. Journal (by Stephen Farber); Murnau: NOSFERATU and SUNRISE (review articles by Robin Wood); Plots and Patterns: FAMILY PLOT (review article by Roger Greenspun); Two Or Three Things I Know About GASLIGHT (review article by Andrew Sarris); The Power And The Gory: TAXI DRIVER (review article by Patricia Patterson and Manny Farber); Independents: Programmers' Notes (article by Amos Vogel); In Memoriam (obituaries for Luchino Visconti and Howard Hughes, by James McCourt and Andrew Sarris); The Industry: Getting Snuffed In Boston (article by Peter Birge and Janet Maslin); Television: Yesterday, Tonight and Tomorrow (article by Brooks Riley); Meep! Meep! (article by Richard Thompson; Diary Of A Mad Cel-Washer (article by Chuck Jones); Two Faces Of Bergman (articles by Charles Michener and Samson Raphaelson); Tough Guy; an interview with James M. Cain (by Peter Brunette and Gerald Peary); Books: Four books about Jean Renoir reviewed by Jonathan Rosenbaum.

Contents Journals: London-New York (by Jonathan Rosenbaum) and Australia (by Jan Dawson); Justice Is Blind - And Dirty-Minded (article by Brendan Gill); Billy Wilder - Closet Romanticist (article by Andrew Sarris); Interview: John Milius (by Richard Thompson); Three Blue Birds (article by Tag Gallagher); Pat O'Neill In All Directions (article by Mitch Tuchman); The Industry: Martyr Complexes (article by Stuart Byron); Television: CBS Goes Public - With A Vengeance (article by Robert Sklar); Bucking The System...Or Buckling Under (articles by Maurice Tourneur and King Vidor, with an introduction by Richard Koszarski); Film Noir, Life Noir (article by Peter Hankoff); A Reader's Digest Of The Avant-Garde (article by Amos Vogel); Interview: Arthur Penn (by Stuart Byron and Terry Curtis Fox); THE MISSOURI BREAKS (review article by Charles Michener); Film Apres Noir (article by Larry Gross); Britannia Waives The Rules (article by Raymond Durgnat); Books: Film reference books reviewd by Richard T. Jameson; reviews of "Movie-Mad America" and "America In The Movies" by Gerald Weales.

Contents Festival Reports: Cannes (by Mary Corliss); Berlin (by Richard Roud); Brasilia (by Brooks Riley); New York (by Charles Michener and Tony Rayns); The Pakula Parallax (article by Richard T. Jameson); Mr. Pakula Goes To Washington: an interview with Alan J. Pakula about ALL THE PRESIDENT'S MEN (by Richard Thompson); Bank Shots (article on film financing by Stuart Byron, with an interview with two film financiers by Patrick McGilligan); DUELLE: Notes On A First Viewing (review article by Jonathan Rosenbaum); SERAIL: Eduardo de Gregorio interviewed by Jan Dawson; Independents: Reader's Digest Of Avant-Garde Film History, Part Two (by Amos Vogel); Television: Suds And Sympathy (article by Roger Ebert); The Industry: Encyclotedium (article by Stuart Byron); Kid Stuff: Francois Truffaut interview about L'ARGENT DE POCHE (by Joseph McBride and Todd McCarthy); A Family In A Ford (article about THE GRAPES OF WRATH by Janey Place); A Voyage In India (Satyajit Ray interviewed by John Hughes); Bernrad Herrmann: Music Of The Fears (article by John Broeck); Book Reviews: including a review of "The New Wave" by James Monaco.

Contents Journals: L.A. (Mitch Tuchman); Venice (Stephen Harvey); Telluride (Elliott Stein); Louis Feuillade: Maker Of Melodrama (article by Richard Roud); Francis Ford: Brother Feeney (article by Tag Gallagher); The Nostalgia Express (interviews with Vincente and Liza Minnelli and Ingrid Bergman by Gideon Bachmann); One Kind Of Dream: A MATTER OF TIME (review article by George Morris); Old Wine, New Battles: Structuralism or Humanism? (article by Robin Wood); Song For Woody (article about the making of BOUND FOR GLORY by Joseph McBride); Independents: A Reader's Digest Of The Avant-Garde, Part Three (article by Amos Vogel); Cops And Robbers: Themes And Variations (article by Tom Ryan); An Agent: Jeff Berg (interview by Richard Thompson); New York Film Festival (reports by James McCourt and Elliott Stein); Middle Chabrol (article by Peter Harcourt); Stephanie Rothman: A Feminist On Poverty Row (article by Terry Curtis Fox); My Favourite Films/Texts/Things (a poll conducted by Jonathan Rosenbaum); Book Reviews: three John Ford books and "The Oxford Companion To Film".

Contents Journals: Bangkok (by Gerald Weales); R. Altman and Co., including interviews with Robert Benton and Alan Rudolph (by Robert Levine); Carrie And Sally And Leatherface Among The Film Buffs (article by Roger Greenspun); Kong Is Nice Guy: interview with Dino De Laurentiis (by Stuart Byron); Helter Shelter (article by Mitch Tuchman); The Flavor Of Ketchup: Interview With Samuel Fuller (by Richard Thompson); In The Realm Of The Censors (article by James Bouras); The Film Critick: Five Academic Species (article by Michael Pressler, with illustrations by the author); Independents: A Reader's Digest Of The Avant-Garde, Part 4 (by Amos Vogel); The Industry: Rocky And His Friends (article by Stuart Byron); Television: The Disco Hustle (article by Richard Koszarski); Hollywood Under Water: Interview With Elia Kazan (by Charles Silver and Mary Corliss); THE LAST TYCOON (review article by Brendan Gill); Ideology, Genre, Auteur (article by Robin Wood); Planetary Fantasies: Interview With Barbet Schroeder (by Elliott Stein); Book Reviews: "The Rise And Fall Of British Documentary" by Elizabeth Sussex, reviewed by Thorold Dickinson.

Contents Journals: Chicago (by Roger Ebert); Teheran (by Brooks Riley and Wendy Keys). Film Editing Special Section: The Work Of The Film Editor (by Win Sharples Jr., Elias Savada, Ruth Lissak and Jay Wentz); Filmographies for Albert Akst, Dede Allen, George J. Amy, Hal Ashby, Bert Bates, Anne Buchens, Reginald Beck, Folmar Blangsted, John Maurice Bloom, Margaret Booth, Claudine Bouche, David Bretherton, Donn Cambern, Jim Clark, Anne V. Coates, Henri Colpi, Anne-Marie Cotret, Denise de Casabianca, Cecile Decugis, Adrienne Fazan, Rudi Fehr, Verna Fields, Hugh S. Fowler, Charles Frend, Antony Gibbs, Stuart Gilmore, Jerry Greenberg, Danford B. Greene, Bernard Gribble, Agnes Guillemot, Jack Harris, Donae Harrison, Anthony Harvey, Gene Havlick, Seth Holt, William Hornbeck, Peter Hunt, Martine Kalfon, Ralph Kemplen, Frederic L. Knudtson, Harold F. Kress, Viola Lawrence, Raymond Lamy, Henri Lanoe, David Lean, Carl Lerner, Renee Lichtig, Russell Lloyd, Warren Low, Daniel Mandell, Owen Marks, Fergus McDonell, Barbara McLean, Reginald Mills, Conrad Nervig, Christian Nyby, Sam O'Steen, Robert Parrish, Tom Priestley, William Reynolds, Ralph Rosenblum, Dorothy Spencer, Frederic Steinkamp, Peter Tanner, Peter Taylor, George Tomasini, John Victor Smith, Ernest Walter, Ferris Webster, Merrill C. White, Elmo Williams, Ralph E. Winters, Robert Wise, Robert Wolfe, William Ziegler; My Best: 24 editors pick their favourite moments or films; Editors and Directors: The Top Ten (a poll of most admired film-makers); "As The Editor, You're The Audience" (Interview with Robert Wise); Film Editors' Forum.Independents: Hints To The Wise (article by Amos Vogel); Television: Family Plot (review article on ROOTS, by Stuart Byron); In Memoriam: Henri Langlois (eight tributes); Second Annual Grosses Gloss (article by Stuart Byron); PROVIDENCE - A Chronic Mystery (review article by James McCourt); Hollywood Hara-Kiri (article by William Paul); Novels Into Movies (article by Brendan Gill); Interview with Robert Aldrich (by Stuart Byron); Atlantic City: Godard's MADE IN U.S.A. (review article by John Hughes).

Contents Journals: Moving from Europe to America (by Jonathan Rosenbaum); L.A. (by Mitch Tuchman); The Hollywood Gangster 1927-33 (article by Andrew Sarris); Hooverville West: The Hollywood G-Man, 1934-45 (article by Carlos Clarens); Realism and Revolution (article by Robin Wood); John M. Stahl: The Man Who Understood Women (article by George Morris); Edited For Television, Part One: Scanning (article by Michael Kerbel); Independents: Subversive Mysteries (article by Amos Vogel); A Film About A Very Funny Man (review article on ANNIE HALL by George W.S. Trow); German Weasels (article by Jan Dawson); Termites: An Interview With Manny Farber and Patricia Patterson (by Richard Thompson); One Day Of ONE LIFE (article by James McCourt); The Great British Phantasmagoria (article by Raymond Durgnat).