www.moviemags.com
THE SITE OF MOVIE MAGAZINES
        

Advanced search    About    Login

FILM COMMENT
General, Mainstream Bimonthly Magazine from New York ,United States
Ceased publication

- First and last issue: 1962-May/June 2020
- ''A forum for smart, idiosyncratic writing about movies.''
- Published by the Film Society of Lincoln Center.
- Six issues per year.
- Film Comment in Facebook
- Published by Film Society of Lincoln Center
- Website: www.filmcomment.com/

Last updated:
28 May 2023
(see recent updates)
Special thanks for this page goes to:
Garry Malvern
Pierre Greenfield
Scott Matheson
Debi Ziemkowski

COVERS FOUND & MISSING
Info from the Database

Highslide JS Listing is complete and all covers have been found.

See The listing

CONTENTS: 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 All GALLERIES: 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 All

Issue 177
November/December 1996
NYFF as seen by Robert Horton and Phillip Lopate, plus Donald Lyons on Vertigo and Paul Arthur on (the absence of) avant-garde visions.
Kathleen Murphy on Jane Campion's Portrait of a Lady.
Elia Kazan's Wild River, by Donald Chase.
Cave painter: Cornel Wilde, by Michael Atkinson.
Venice and Toronto film festivals.
James Benning: the filmmaker as landscape, by Bιrιnice Reynaud.
The Cinema of Jean-Pierre Melville by Peter Hogue.
Don Siegel's The Killers by Howard Hampton.
Hollywood Egypt: Youssef Chahine, by Dave Kehr.
Jules Dassin: An interview with the director of Naked City, Rififi, et al., by Patrick McGilligan.
James Benning: the filmmaker as landscape, by Bιrιnice Reynaud.
Marcel Ophuls interviewed by Kurt Jacobsen.
Also, Chris Chang on Engelchen, Dale Thomajan on show-going and more.


Issue 176
September/October 1996
Independence Day and the summer blockbuster syndrome, by Kent Jones READ IT HERE! In praise of Dan Ireland's The Whole Wide World, by Kathleen Murphy READ IT HERE! Eric Rohmer's Rendezvous in Paris et al., by Armond White Taiwanese filmmaker Tsai Ming-liang, by Chuck Stephens WWII: British cinema's stiff upper lip, by Harlan Kennedy Maurice Pialat achieves his masterpiece, Le Garηu, by Dave Kehr Hong Kong movie goddess Brigitte Lin, by Howard Hampton READ IT HERE! John Carpenter's Guilty Pleasures Artists making (film) art: Basquiat, Arena Brains, et al., by Chris Chang Nick Gomez: the director of illtown, New Jersey Drive, and Laws of Gravity interviewed by Gavin Smith Remembering Jacques Demy's Young Girls of Rochefort, by William Johnson The Window, a film noir classic, by Paul Arthur Stanley Kubrick talks! (in a British TV documentary), by Richard Combs Book review: two biographies of Orson Welles (from David Thomson and Simon Callow), assessed by Donald Lyons; and more.


Issue 175
July/August 1996
Cannes '96, articles by Mary Corliss and Harlan Kennedy Los Angeles Noir by Paul Arthur Abbas Kiarostami interviewed by Phillip Lopate and Godfrey Cheshire on Kiarostami Mission: Impossible by Howard Hampton Cinema Sex Magick, the films of Donald Cammell by Chris Chang Marcel Ophuls interviewed by Kurt Jacobsen Trainspotting by Harlan Kennedy Also, Psycho Revisited, Anthony Mann, Michael Haneke, Bertolucci's Guilty Pleasures and more.


Issue 174
May/June 1996
Oscar Redux: reporting on who won, and which Oscar Predix participants got the most right
An affectionate, insightful new documentary portrait of Sam Fuller, by Robert Horton
CLINT EASTWOOD, honoree at the FSLC's 1996 Gala:
-- ''Clint on the Back Nine,'' by Richard Schickel
-- Eastwood as romantic hero, by Kathleen Murphy
-- The Bridges of Madison County, by Richard Combs
Music video plagiarism, by Maria Demopoulos
Jim Jarmusch's Dead Man, by Jacob Levich
Hong Kong filmmaker Stanley Kwan (Rouge; Actress; Red Rose, White Rose), by Michael Atkinson
Chinese silents, by Matt Severson
Douglas Fairbanks Sr.: ''The Choreography of Hope,'' by John Tibbetts
John Sayles: the writer-director of Return of the Secaucus 7, Passion Fish, et al. talks about his new film Lone Star; interviewed by Gavin Smith
Chris Smith's ultra-low-budget debut, American Job, by Jim Supanick
From Mexico: Nobody Will Speak of Us When We Are Dead, by Chris Chang
Berlin Film Festival report, by Harlan Kennedy
Life signs from the French cinema: Purple Noon and Nelly et M. Arnaud, by Donald Lyons
Also, Japanese animator Oshii Mamoru, by David Chute - and more.


Issue 173
March/April 1996
Cover: Banlieue Films by Berenice Reynaud Features: J*U*I*C*E by Jonathan Baumbach Michael Mann by Richard Combs Jean Arthur by Dennis Drabelle Jean-Luc Godard by Armond White; interviewed by Gavin Smith George Loane Tucker by Frank Thompson Michele Soavi by Maitland McDonagh CD-ROM et al. by Kathleen Murphy Warner Bros. Pre-Code by Dale Thomajan Two Seconds by Donald Phelps Michael Curtiz by Donald Lyons 21st 'Grosses Gloss' by Anne Thompson Festivals: Sundance by Gavin Smith, Rachel Rosen Oscar Predix


Issue 172
January/February 1996

All magazine covers are copyrighted by their publishers. No rights are given or implied. They are presented here for their historical significance and the edification of magazine fans and collectors, everywhere.
By using moviemags.com you agree to its Cookies Use. Only Google cookies are used, for analytics reports.