LONG FORM DRAMA</p>
<p>The International Language of Espionage:</p>
<p>Melodrama, The Americans, and the Global&nbsp;Television Imaginary –&nbsp;by Meredith Slifkin</p>
<p>Mad Men, the Historical Novel, and Social Change&nbsp;–&nbsp;by William Bartley</p>
<p>Long Form Televisual Narrative and Operatic Structure in Bryan Fuller’s Hannibal –&nbsp;by Maria Ionita</p>
<p>Rehabilitating Imperial Glory: Or Rome Finishes What Gladiator Started –&nbsp;by Malcolm Morton</p>
<p>Working Toward a Television Canon –&nbsp;by Thomas A. Foster</p>
<p>Are Sitcoms the Future of West African Cinema? –&nbsp;by Boukary Sawadogo</p>
<p>Read It Today, See It Tonight: Extratextuality and the Silent Film