MovieMags
The World’s Most Comprehensive
Movie Magazine Database
All1970197119721973197419751976197719781979198019811982198319841985198619871988198919901991199219931994199519961997199819992000200120022024
2000
Issue 157
Vol 31 #10 2000
Main Cover
<FONT COLOR='#ff0000'>Fantasia 2000</FONT>: Disney revamps their classic with new segments in IMAX, and Donald Duck hamming it up to &quot;Pomp and Circumstance.&quot;<BR>

<FONT COLOR='#ff0000'>Pitch Black</FONT>: Screenwriter David Twohy (The Arrival) directs his horrors/sci-fi hybrid on Australia's Gold Coast.<BR>

<FONT COLOR='#ff0000'>Galaxy Quest</FONT>: Tim Allen and Sigourney Weaver star in a wicked parody of Star Trek.<BR>

<FONT COLOR='#ff0000'>Wes Craven on &quot;Scream 3&quot;</FONT>: Director Wes Craven on making the third time the charm, sans Kevin Williamson.<BR>

<FONT COLOR='#ff0000'>The Green Mile</FONT>: An actor's eye view of the making of Stephen King's supernatural thriller.<BR>

<FONT COLOR='#ff0000'>Stephen King on &quot;The Green Mile&quot;</FONT>: Back at the keyboard after his own roadside misery, the author looks forward to a cinematic &quot;milestone.&quot;<BR>

<FONT COLOR='#ff0000'>The Crow 3: Salvation</FONT>: James O'Barr's dark avenger gets a third movie incarnation, with Kirsten Dunst in the gothic love story from beyond the grave.<BR>

<FONT COLOR='#ff0000'>Lost Souls</FONT>: Cinematographer-turned-director Janusz Kaminski on exorcising the horror cliches.<BR>

<FONT COLOR='#ff0000'>Supernova</FONT>: The story behind MGM's troubled outer space epic, rocked by the departure of director Walter Hill.<BR>

<FONT COLOR='#ff0000'>Walter Hill on &quot;Supernova&quot;</FONT>: The producer of the original Alien on taking a long-overdue stab at science fiction, a favored genre.<BR>

<FONT COLOR='#ff0000'>Stuart Little</FONT>: The Lion King director Rob Minkoff films the classic children's tale with a CGI mouse.<BR>

<FONT COLOR='#ff0000'>Hangman's Daughter</FONT>: Director P.J. Pesce on the spaghetti wester prequel to From Dusk Till Dawn.<BR>

<FONT COLOR='#ff0000'>Bicentennial Man</FONT>: Norman Reynolds on designing the future for Isaac Asimov's robot, with Robin Williams as the free-thinking 'droid.<BR>

<FONT COLOR='#ff0000'>Toy Story 2</FONT>: How Pixar's high profile video sequel to the 1995 hit went to movie screens instead.<BR>

<FONT COLOR='#ff0000'>Being John Malkovich</FONT>: Director Spike Jonze and scripter Charles Kaufman on filming their off-kitter fantasy.<BR>

<FONT COLOR='#ff0000'>The Sixth Sense</FONT>: Writer-director M. Night Shyamalan on his horror masterwork.
Issue 158
Vol 31 #11 2000
Main Cover
<FONT COLOR='#ff0000'>Mission To Mars</FONT>: Walt Disney beats Warner Bros in the race to the red planet, starring Gary Sinise.<BR>

<FONT COLOR='#ff0000'>Which planet are you from?</FONT>: Gary Shandling on writing, co-producing and starring as a wacky alien bent on Earthly sexual union.<BR>

<FONT COLOR='#ff0000'>The Crow: Salvation</FONT>: James O' Barr's Crow comes back for a third time, a comic book horror franchise targeting the teen set.<BR>

<FONT COLOR='#ff0000'>El Dorado</FONT>: DreamWorks Animation takes inspiration from the Bob Hope and Bing Crosby &quot;Road&quot; picture formula.<BR>

<FONT COLOR='#ff0000'>Frequency</FONT>: Humanizing SF, fireman Dennis Quaid gets a life-saving message from his policeman son in the future.<BR>

<FONT COLOR='#ff0000'>Final Destination</FONT>: X-Files alumnists Glen Morgan and James Wong make their teen horror movie debut at New Line.<BR>

<FONT COLOR='#ff0000'>Voyager's &quot;Trek Memorial&quot;</FONT>: A powerful examination of the devastation of warfare, a February sweeps show a la Gene Roddenberry.<BR>

<FONT COLOR='#ff0000'>Star Trek: Voyager</FONT>: Veteran producer Brannon Braga on shepherding home his final frontier torch carrier.<BR>

<FONT COLOR='#ff0000'>Voyager's &quot;Dark Frontier&quot;</FONT>: The making of the series' stunning two-hour movie, plus a look behind the scenes at its amazing visual effects.<BR>

<FONT COLOR='#ff0000'>Voyager's &quot;Timeless&quot;</FONT>: How the cast and crew pulled together to make the show's 100th episode an exciting, bittersweet gem.<BR>

<FONT COLOR='#ff0000'>Pitch Black</FONT>: Writer-director David Twohy and star Vin Diesel on filming the sci-fi creature feature in Australia.<BR>

<FONT COLOR='#ff0000'>The return of Roman Polanski</FONT>: The director of Rosemary's Baby and Repulsion on his stylish horror film comeback.<BR>

<FONT COLOR='#ff0000'>Polanski's &quot;The Ninth Gate&quot;</FONT>: Johnny Depp stars in Polanski's triumphant return to the horror genre, devilshly good filmmaking.
Issue 159
Vol 31 #12/Vol 32 #1 2000
Main Cover
<FONT COLOR='#ff0000'>X-Men: Filming the comics</FONT>: Fox shells out $75 million for director Bryan Singer to do the Marvel Comics superheroes right.<BR>

<FONT COLOR='#ff0000'>Chicken Run</FONT>: Stop-motion animators Nick Park and Peter Lord on their high-concept feature film for DreamWorks.<BR>

<FONT COLOR='#ff0000'>Dinosaur</FONT>: Behind-the-scenes of Disney's &quot;Secret Lab&quot; and their first all-digitally animated feature.<BR>

<FONT COLOR='#ff0000'>Paul Verheoven's &quot;Hollow Man&quot;</FONT>: The director of Robocop on updating H.G.Wells' &quot;The Invisible Man&quot; with star Kevin Bacon.<BR>

<FONT COLOR='#ff0000'>Adventures of Rocky &amp; Bullwinkle</FONT>: The Moose from Frostbite Falls gets candid on the set about his co-star and producer Robert J. DeNiro.<BR>

<FONT COLOR='#ff0000'>Titan A.E.</FONT>: Animators Don Bluth and Gary Goldman on targeting the teen market with their SF adventure cartoon feature.<BR>

<FONT COLOR='#ff0000'>Battlefield Earth</FONT>: Producer and star John Travolta and director Roger Christian on adapting L.Ron Hubbard's SF epic.<BR>

<FONT COLOR='#ff0000'>The Flintstones in Viva Rock Vegas</FONT>: Director Brian Levant on continuing the live action features based on the '60s cartoon series.<BR>

<FONT COLOR='#ff0000'>The making of &quot;Babylon 5&quot;</FONT>: Behind the scenes of television's SF epic with five-year episode guide and cast profiles.<BR>

<FONT COLOR='#ff0000'>Bruce Boxleitner on Captain Sheridan</FONT>: The actor who played Tron on anchoring the B5 ensemble to complete the SF saga's grand design.<BR>

<FONT COLOR='#ff0000'>B5 CGI: A television effects landmark</FONT>: Foundation Imaging effects supervisor Ron Thornton on ushering in a new era of visual effects for TV.<BR>

<FONT COLOR='#ff0000'>Fantasia 2000</FONT>: Interviews with the creative artists behind Disney's new animation big-screen IMAX milestone, plus a review.<BR>

<FONT COLOR='#ff0000'>Scream 3</FONT>: A look at why the sequel elicits few screams from an audience that prefers to react with sly cackles.
Issue 160
Vol 32 #2 2000
Main Cover
<FONT COLOR='#ff0000'>What Lies beneath?</FONT>: Not much, in director Robert Zemeckis' hush hush ghost story with Harrison Ford, opening July 21.<BR>

<FONT COLOR='#ff0000'>Hannibal</FONT>: Ridley Scott directs the sequel to Silence of the Lambs, but the book will make it a hard sell.<BR>

<FONT COLOR='#ff0000'>The Cell</FONT>: Video director Tarsem enlivens the serial killer genre, with Vincent D'Onofrio and Jennifer Lopez.<BR>

<FONT COLOR='#ff0000'>Filming Marvel's &quot;X-Men&quot;</FONT>: Director Bryan Singer and a talented cast and crew on getting the comic book genre right.<BR>

<FONT COLOR='#ff0000'>Chicken Run</FONT>: The British stop-motion animators at Aardman on completing their first off-the-wall feature for DreamWorks.<BR>

<FONT COLOR='#ff0000'>Hollow Man</FONT>: Kevin Bacon and director Paul Verhoeven on filming an effects-laden up-date of H.G.Wells.<BR>

<FONT COLOR='#ff0000'>Philip K. Dick's &quot;Imposter&quot;</FONT>: Gary Sinise and Madeleine Stowe star in Dick's science fiction speculation on the nature of identity.<BR>

<FONT COLOR='#ff0000'>Adventures of Rocky &amp; Bullwinkle</FONT>: Director Des McAnuff and ILM's CGI effects czars on turning the '60s 'toon icons into a big-budget movie event.<BR>

<FONT COLOR='#ff0000'>For The Cause</FONT>: How Miramax let an auspicious first feature with kick ass effects and sleeper potential gather dust on their shelf.<BR>

<FONT COLOR='#ff0000'>Dragonheart: A New Beginning</FONT>: Producer Rafaella DeLaurentis and director Doug Lefler on filming the direct-to-video sequel.<BR>

<FONT COLOR='#ff0000'>The Primevals</FONT>: Writer, director and stop-motion animator David Allen is dead, but the work continues on his final masterpiece.<BR>

<FONT COLOR='#ff0000'>Titan A.E.</FONT>: 'Toon rebel Don Bluth on mounting Fox Animation's sci-fi epic, long in development hell.<BR>

<FONT COLOR='#ff0000'>Godzilla 2000: Millenium</FONT>: The original Japanese big screen monster strives for a comeback with mixed results that are almost quaint.
Issue 161
Vol 32 #3 2000
Main Cover
<FONT COLOR='#ff0000'>Gene Roddenberry's Andromeda</FONT>: Former Star Trek veteran Robert Hewitt Wolfe on crafting a new sci-fi series from notes left by the late Trek creator.<BR>

<FONT COLOR='#ff0000'>Philip K. Dick's Impostor</FONT>: Gary Sinise, Madeleine Stowe and screenwriter David Twohy on adapting one of the giants of science fiction.<BR>

<FONT COLOR='#ff0000'>Shadow of the Vampire</FONT>: John Malkovich on starring as F.W. Murnau in a fictionalized account of the filming of silent horror classic Nosferatu.<BR>

<FONT COLOR='#ff0000'>The X-Files</FONT>: Is there anywhere to go from here? Chris Carter et.al on the future of the Fox-TV Files.<BR>

<FONT COLOR='#ff0000'>The Lone Gunmen</FONT>: A look at the development and filming of the pilot for The X-Files spin-off, destined as a mid-season replacement on Fox.<BR>

<FONT COLOR='#ff0000'>Tilt</FONT>: What did the Vancouver crew of The X-Files do when the series moved to LA? They banded together to make their own movie.<BR>

<FONT COLOR='#ff0000'>Witchblade - The movie</FONT>: The popular Top Cow comic book franchise makes its movie debut on TNT as a backdoor pilot, starring Yancy Butler.<BR>

<FONT COLOR='#ff0000'>Urban Legend: Final Cut</FONT>: The teen horror franchise continues the Urban Legends theme, but with a new cast, a new director and an all new storyline.<BR>

<FONT COLOR='#ff0000'>Requiem for a Dream</FONT>: A behind-the-scenes look at the filming of PI director Darren Aronofsky's adaptation of Hubert Selby Jr. starring Ellen Burstyn.<BR>

<FONT COLOR='#ff0000'>Cherry Falls</FONT>: Romper Stomper director Geoffrey Wright on his unabashed paen to the bygone teen slasher genre.<BR>

<FONT COLOR='#ff0000'>The Cell</FONT>: A look at the auspicious directing debut of rock video stylist Tarsen, a walk on the wild side of the ever popular serial killer genre.<BR>

<FONT COLOR='#ff0000'>Lost Souls</FONT>: Stars Winona Ryder and Ben Chaplin on the directing debut of Oscar-winning cinematographer Janusz Kaminski.<BR>

<FONT COLOR='#ff0000'>Paul Verhoeven's Hollow Man</FONT>: A look at Sony Imageworks' mind-bending visual effects and star Kevin Bakon on the rigors of invisibility.<BR>

<FONT COLOR='#ff0000'>The Watcher</FONT>: Director Joe Charbonic on casting James Spader as the FBI profiler on the case of the off-beat serial killer Keanu Reeves.<BR>

<FONT COLOR='#ff0000'>X-Men</FONT>: Has director Bryan Singer unleased Hollywood's comic book floodgate at last, or is it back to the drawing board?
Issue 162
Vol 32 #4/5 2000
Main Cover
<FONT COLOR='#ff0000'>Unbreakable</FONT>: Sixth Sense director M. Night Shyamalan om reteaming with everyman Bruce Willis for another shocking spiritual journey.<BR>

<FONT COLOR='#ff0000'>Schwarzenegger: The Sixth Day</FONT>: Bond director Roger Spottiswood on directing the action star in a high-tech thriller on the moral issues of cloning.<BR>

<FONT COLOR='#ff0000'>Dr. Seuss' Hoe The Grinch Stole Christmas</FONT>: Director Ron Howard and Digital Domain on adapting the perennial fantasy classic with Jim Carrey in the title role.<BR>

<FONT COLOR='#ff0000'>Red Planet</FONT>: How Warner Bros pumped up the special effects after losing the space race to Disney's competing Mission To Mars.<BR>

<FONT COLOR='#ff0000'>The Little Vampire</FONT>: Screenwriters Larry Wilson (Beetlejuice) and Karey Kirkpatrick (Chicken Run)on making horror fun for kids (and adults, too).<BR>

<FONT COLOR='#ff0000'>Blair Witch 2: Book of Shadows</FONT>: Will the top-grossing independent horror film of all-time spawn a Halloween trick or treat? Plus, a checkered look at horror sequels.<BR>

<FONT COLOR='#ff0000'>Dungeons &amp; Dragons</FONT>: Director Corey Solomon, just 29, on his ten-year quest to film the popular fantasyrole-playing game, plus Jeremy Irons on screen villainy.<BR>

<FONT COLOR='#ff0000'>Star Trek: Deep Space Nine</FONT>: Behind-the-scenes of the final seventh season with the cast, crew and creators, making an end to the best Trek yet.<BR>

<FONT COLOR='#ff0000'>Deep Space Nine: Book Ends</FONT>: The seven year odyssey of the final frontier epic, how the pilot ''Emissary'' fortold Captain Sisko's evolution to a higher life form.<BR>

<FONT COLOR='#ff0000'>Deep Space Nine: What you leave behind</FONT>: Saying goodbye to the station on the edge of forever, an on-the-set report of the filming of the show's amazing two-hour finale.<BR>

<FONT COLOR='#ff0000'>Deep Space Nine: Worf Factor</FONT>: Actor Michael Dorn talks about the importance of Worf's Klingon presence in revitalizing the series' fourth season.<BR>

<FONT COLOR='#ff0000'>Deep Space Nine: The top ten</FONT>: Cast and creators comment on a selection of DS9's finest hours, showcasing the breadth and depth of the remarkable space station saga.<BR>

<FONT COLOR='#ff0000'>Frank Herbert's ''Dune''</FONT>: Producer Richard Rubinstein and director John Harrison on adapting Herbert's sci-fi masterpiece as a six hour mini-series.<BR>

<FONT COLOR='#ff0000'>Possessed</FONT>: Writer/Director Steven de Souza on filming a docu-drama of the case that inspired The Exorcist, a report from the set in Toronto.<BR>

<FONT COLOR='#ff0000'>Sinbad: Beyond the veil of Mists</FONT>: Behind-the-scenes of a busted theatrical, a $20 million CGI animated fantasy that is among the most costly direct-to-video releases ever.<BR>

<FONT COLOR='#ff0000'>Curse of the Talisman</FONT>: Gargoyles spring to life in UPN's November sweeps TV-movie horror-fantasy directed in Australia by Colin Budds.<BR>

<FONT COLOR='#ff0000'>Code Red: The Rubicon Conspiracy</FONT>: UPN's effects-laden TV-movie riff on the Predator series pits an army swat team against alien invaders in the jungle.<BR>

<FONT COLOR='#ff0000'>Gene Roddenberry's ''Andromeda''</FONT>: Writer/producer Robert Wolfe, a graduate of DS9, on stitching together Roddenberry's old concepts to create a new sci-fi show.<BR>

<FONT COLOR='#ff0000'>The American Nightmare</FONT>: Writer/director Adam Simon on the superb documentary tracing the roots of the '70s independent horror film movement.