- Recontextualizing Animation, CGI, and Visual Effects<br>
Dissecting Bambi: Multiplanar Photography, the Cel Technique, and the Flowering of Full Animation<br>
Casey Riffel<br>
On Styles of Theorizing Animation Styles: Stanley Cavell at the Cartoon’s Demise<br>
Ryan Pierson<br>
Kung Fu Panda: Animated Animal Bodies as Layered Sites of (Trans)National Identities<br>
Hye Jean Chung<br>
Is It Real . . . or Is It Motion Capture? The Battle to Redefine Animation in the Age of Digital Performance<br>
Yacov Freedman<br>
An Interview with Geoff Marslett of Swerve Pictures<br>
The Editors<br>
An Interview with Bob Sabiston of Flat Black Films<br>
The Editors<br>
Book Reviews<br>
The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture by Rob King<br>
Reviewed by Paul Monticone<br>
Universal Women: Filmmaking and Institutional Change in Early Hollywood by Mark Garrett Cooper<br>
Reviewed by Paul Monticone<br>
Letterboxed: The Evolution of Widescreen Cinema by Harper Cossar<br>
Reviewed by Eliot Chayt<br>
Widescreen Worldwide edited by John Belton, Sheldon Hall, and Steve Neale<br>
Reviewed by Eliot Chayt<br>
The New Entrepreneurs: An Institutional History of Television Anthology Writers by Jon Kraszewski<br>
Reviewed by Joshua Gleich<br>
Challenge for Change: Activist Documentary at the National Film Board of Canada edited by Thomas Waugh, Michael Brendan Baker, and Ezra Winton<br>
Reviewed by Laura Dixon<br>
Hollywood Reborn: Movie Stars of the 1970s edited by James Morrison<br>
Reviewed by R. Colin Tait

- The Materiality of Media<br>
The Lost Studio of Atlantis: Norman Bel Geddes’s Failed Revolution in Television Form<br>
Joshua Gleich<br>
Materiality and Meaning in Recent Projection Performance<br>
Jonathan Walley<br>
The Warner Archive and DVD Collecting in the New Home Video Market<br>
Bradley Schauer<br>
Executable Images: The Enactment and Distribution of Movies in Computer Networks<br>
Gabriel Menotti Gonring<br>
Dossier: Materiality and the Archive<br>
Kit Hughes and Heather Heckman<br>
Book Reviews<br>
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture by Jeffrey A. Brown<br>
Reviewed by Chelsea McCracken<br>
Modular Narratives in Contemporary Cinema by Allan Cameron<br>
Reviewed by Matt Connolly<br>
Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War by Kristin Roth-Ey<br>
Reviewed by Booth Wilson<br>
Piracy: The Intellectual Property Wars from Gutenberg to Gates edited by Adrian Johns<br>
Reviewed by Andrew J. Bottomley