Contents Future chic: article on Pedro Almodovar's Kika

Sisters in arms: set report from the set of Elaine Proctor's Friends

Crossing the frontiers: Michael Atkinson on the road movie

2001: A cold descent: Mark Crispin Miller reappraises

Feelings a

Contents Shelter from the storm: Jonathan Romney interviews Woody Allen

The Scorsese Interview: interview by Ian Christie

Looking for the simple idea: article on Saul and Elaine Bass

Brooks and the Bob: Peter Wollen on Louise Brooks

Blackpool Illum

Contents In the Time of Earthquakes: Jonathan Romney on Robert Altman's Short Cuts

Witness: article on Schindler's List

Feeling English: Richard Dyer on Richard Attenborough's Shadowlands

Valley Boys: Welsh stars

The Odd Couple: article on Jonathan

Contents In memory of Derek Jarman: Christopher Hobbs remembers

Backbeat: article on Backbeat, the Beatles, pop, sex, drugs and the 60s

An eye for an eye: Un Chien Andalou to The Terminator, Linda Ruth Williams 'eye horror'

Bernardo Bertolucci: Intrave

Contents Pulp Instincts: pulp movies

Quentin Tarantino on Pulp Fiction: interview

Never at Home: Peter Wollen on Nicholas Ray

Loosening the Knot: On Set with Zhang Yimou: by Tony Rayns

Down the white road: Yuri Norstein, animator, interview

Fal

Contents Glowing in the dark: Krzysztof Kieslowski talks about Three Colours White

London: Necropolis of Fretful Ghosts: Iain Sinclair on low-life London

Odd man out: Andy Medhurst on Jack Lemmon

My time is not your time: Andy Warhol

Welcome to the

Contents Sibling rivalry: The Flintstones and Hollywood's reliance on television

It all happened in Paris: Alphaville reappraisal

Insane memory: Chris Petit on Chris Marker

Goings and comings: Go Fish and how it was realised

Boomers and busters: Jo

Contents The Sphinx without a riddle: the Coen Brothers and genre

Sorrowful black death is not a hot ticket: bell hooks Spike Lee's Crooklyn

Tavernier on Mackendrick

Black is...black ain't: Kobena Mercer on Marlon Riggs' films

Being Human: Bill For

Contents In memory of Peter Cushing; by Freddie Francis

Sisyphus in Ray-Bans: Ian Penman on Jack Nicholson

Alain Resnais: interview with Alain Resnais and Alan Ayckbourn by Jonathan Romney

Waiting for the end: an appraisal of Resnais' career

Blood

Contents Action!: Richard Dyer on Speed and action movies

Chaos and anger: Tony Rayns in Beijing

Making saccharine taste sour: Martin Walker on Forrest Gump

Lindsay Anderson: Unrequited lover: Gavin Lambert on the man and his last film Is That All Ther

Contents Making Frankenstein and the monster: set-report on the making of Mary Shelley's Frankenstein

Ladybird and Ladybird: Ken Loach and Rona Munro interviewed

Quentin Tarantino on Pulp Fiction

The worlds of Harry Saltzman: Len Deighton remembers

Contents Why do I have to provoke?: Oliver Stone talks about Natural Born Killers

Learning to scream: Linda Williams on Psycho

Dying for art: Peter Wollen on Peeping Tom

Beginnings, endings and the stuff in-between: interview with credit sequence desig