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2008

Spring/Summer 2008
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he Road to Invincible Asia: Brigitte Lin Ching-hsia's Taiwanese Films by

Tony Williams <br>

Transcultural Sounds: Music, Identity, and the Cinema of Wong-Kar-wai by

Emilie Yueh-yu Yeh and Lake Wang Hu<br>

The Carnal Hand and Fetishism in Wong Kar-wai's The Hand by

Nicholas Y.B. Wong<br>

Dark Side of Modernization: Bong Jun Ho's Memories of Murder (2005) by

Noh, Kwang Woo<br>

Nostalgia and Anticipation: A Case Study of Contemporary Japanese Melodrama by

Yau Shuk-ting, Kinnia<br>

Chinese Cinema in the Global Age: Ashes of Time and the Human Condition by

Sinkwan Cheng<br>

Archetypes in Zhang Yimou's Films: Significance of Regional Culture by

Yuan Gao<br>

Cinematic Geography, Martial Arts Fantasy, and Tsui Hark's Wong Fei-hung Series by

Weijie Song<br>

When Sadako Meets Mr. Vampire: The Impact of Ringu on Hong Kong Ghost Films by

Benjamin Wai-ming Ng<br>

Marketing Boys' Love: Taiwan's Independent Film, Eternal Summer, and Its Audiences by

Hong-Chi Shiau<br>

Remapping Ozu's Tokyo? The Interplay between History and Memory in Hou Hsia-Hsien's Cafe Lumiere by

I-Fen Wu<br>

44th Antalya Golden Orange and 3rd Eurasia Film Festivals. Oct. 19-28, 2007 by

Gonul Donmez-Colin<br>

Glimpses by

John A. Lent<br>

Review: King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema by

Coonoor Kripalani<br>

Recent Publications on Asian Cinema by

John A. Lent<br>

Recent Publications on Asian Cinema (Published in China)

Compiled by Yuheng Bao, John A. Lent, and Donghong Song<br>

Cumulative Index: Asian Cinema Vols. 7-18 (1995-2007)

Compiled by Jae Woong Kwon and John A. Lent with Xu Ying and Jiwon Yoon<br>

Cumulative Index: Asian Cinema Vols. 7-18 (1995-2007) Alphabetical List of Authors<br>



Mahjong and Chicken Feet<br>



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