Spring/Summer 2008
Main Cover
he Road to Invincible Asia: Brigitte Lin Ching-hsia's Taiwanese Films by
Tony Williams <br>
Transcultural Sounds: Music, Identity, and the Cinema of Wong-Kar-wai by
Emilie Yueh-yu Yeh and Lake Wang Hu<br>
The Carnal Hand and Fetishism in Wong Kar-wai's The Hand by
Nicholas Y.B. Wong<br>
Dark Side of Modernization: Bong Jun Ho's Memories of Murder (2005) by
Noh, Kwang Woo<br>
Nostalgia and Anticipation: A Case Study of Contemporary Japanese Melodrama by
Yau Shuk-ting, Kinnia<br>
Chinese Cinema in the Global Age: Ashes of Time and the Human Condition by
Sinkwan Cheng<br>
Archetypes in Zhang Yimou's Films: Significance of Regional Culture by
Yuan Gao<br>
Cinematic Geography, Martial Arts Fantasy, and Tsui Hark's Wong Fei-hung Series by
Weijie Song<br>
When Sadako Meets Mr. Vampire: The Impact of Ringu on Hong Kong Ghost Films by
Benjamin Wai-ming Ng<br>
Marketing Boys' Love: Taiwan's Independent Film, Eternal Summer, and Its Audiences by
Hong-Chi Shiau<br>
Remapping Ozu's Tokyo? The Interplay between History and Memory in Hou Hsia-Hsien's Cafe Lumiere by
I-Fen Wu<br>
44th Antalya Golden Orange and 3rd Eurasia Film Festivals. Oct. 19-28, 2007 by
Gonul Donmez-Colin<br>
Glimpses by
John A. Lent<br>
Review: King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema by
Coonoor Kripalani<br>
Recent Publications on Asian Cinema by
John A. Lent<br>
Recent Publications on Asian Cinema (Published in China)
Compiled by Yuheng Bao, John A. Lent, and Donghong Song<br>
Cumulative Index: Asian Cinema Vols. 7-18 (1995-2007)
Compiled by Jae Woong Kwon and John A. Lent with Xu Ying and Jiwon Yoon<br>
Cumulative Index: Asian Cinema Vols. 7-18 (1995-2007) Alphabetical List of Authors<br>
Mahjong and Chicken Feet<br>
Addition