Arthur Penn (article by Jim Hillier);THE LEFT-HANDED GUN (article by Terry Bolas);Editing Anderson's IF... (article by David Gladwell);Film And Television At Bulmershe (article by Roger Watkins);Film Study At Hammersmith College Of Further Education (article by Elfreda Symonds);The Problem Of Film Availability (article by Paddy Whannel);Book Reviews: "Hitchcock" by Francois Truffaut, "Fritz Lang In America" (by Peter Bogdanovich), "Jean-Luc Godard Par Jean-Luc Godard";Film Reviews: THE STRANGER; 2001 - A SPACE ODYSSEY.

Interview: Hugh Whitemore (by Philip Crick); Friese-Greene And Cinematography, Part One (article by Brian Coe); Robin Wood - A Dissenting View (article by Alan Lovell); Camera Adventure: An Experiment In Hornsey (article by Roger Hudson); THE MIRACLE WORKER (review article by Donald Fairservice); Reviews: LES BICHES; IF...; ROSEMARY'S BABY; Book Reviews: "Hollywood In The 40s" and a study of Billy Wilder; Checklist: Film Scripts In Print (compiled by Roy Armes).

An Interview With Michael Winner (by David Spiers); Pasolini: Rebellion, Art And A New Society (article by Susan Macdonald); Ghostly Paradigm and H.C.F. (article by Robin Wood); Film Education Abd Film Culture (article by Paddy Whannel); MICKEY ONE (review article by Michael Walker); William Friese-Greene And The Origins Of Cinematography, Part II (article by Brian Coe); Film Reviews: OH! WHAT A LOVELY WAR; BAISERS VOLES; Book Reviews: including "Word And Image: A History Of Hungarian Cinema".

Three Western Directors: Budd Boetticher (article by Christopher Wicking); Anthony Mann (interviewed by Christopher Wicking and Barrie Pattison); Delmer Daves (interviewed by Christopher Wicking); The Use Of Extracts In Film Teaching (article by Daniel Millar); Film In English Teaching (article by George Robertson); THE CHASE (review article by Kevin Gough-Yates); BONNIE AND CLYDE (review article by Jim Cook); Interview: Jack Gold (by David Spiers); William Friese-Greene And The Origins Of Cinematography (article by Brian Coe); Film And The Measurement Of Its Effects (article by Andrew Tudor); Three Frankenheimer Films: A Sociological Approach (article by Paul Filmer); Book Reviews: including a study of Buster Keaton and "Michael Balcon Presents"; Checklist: Books On Film History (compiled by Gillian Hartnoll).

Interviews with Seth Holt (by Kevin Gough-Yates) and James Cellan Jones (by Margaret Tarratt); The Work Of A Film Producer (article by Milton Subotsky); 16mm. Film Availability (article by Susan Macdonald); Britain's Social Cinema (by Vicky Eves); Signs And Meaning In The Cinema (article by Andrew McTaggart); A Polemic (article by Roy Armes); Samuel Fuller's Action Films (article by Kingsley Canham); Samuel Fuller's Gangster Films (article by Colin McArthur); Book Reviews: including studies of Ingmar Bergman, Fritz Lang and Jean-Luc Godard, a biography of Spencer Tracy and "The Movies, Mr. Griffith And Me" by Lillian Gish; Checklist: Books on British Cinema (compiled by Gillian Hartnoll).