1994
Issue 33
January 1994
January 1994
Main Cover
Future chic: article on Pedro Almodovar's Kika<BR>
Sisters in arms: set report from the set of Elaine Proctor's Friends<BR>
Crossing the frontiers: Michael Atkinson on the road movie<BR>
2001: A cold descent: Mark Crispin Miller reappraises<BR>
Feelings a
Sisters in arms: set report from the set of Elaine Proctor's Friends<BR>
Crossing the frontiers: Michael Atkinson on the road movie<BR>
2001: A cold descent: Mark Crispin Miller reappraises<BR>
Feelings a
Issue 34
February 1994
February 1994
Main Cover
Shelter from the storm: Jonathan Romney interviews Woody Allen<BR>
The Scorsese Interview: interview by Ian Christie<BR>
Looking for the simple idea: article on Saul and Elaine Bass<BR>
Brooks and the Bob: Peter Wollen on Louise Brooks<BR>
Blackpool Illum
The Scorsese Interview: interview by Ian Christie<BR>
Looking for the simple idea: article on Saul and Elaine Bass<BR>
Brooks and the Bob: Peter Wollen on Louise Brooks<BR>
Blackpool Illum
Issue 35
March 1994
March 1994
Main Cover
In the Time of Earthquakes: Jonathan Romney on Robert Altman's Short Cuts<BR>
Witness: article on Schindler's List<BR>
Feeling English: Richard Dyer on Richard Attenborough's Shadowlands<BR>
Valley Boys: Welsh stars<BR>
The Odd Couple: article on Jonathan
Witness: article on Schindler's List<BR>
Feeling English: Richard Dyer on Richard Attenborough's Shadowlands<BR>
Valley Boys: Welsh stars<BR>
The Odd Couple: article on Jonathan
Issue 36
April 1994
April 1994
Main Cover
In memory of Derek Jarman: Christopher Hobbs remembers<BR>
Backbeat: article on Backbeat, the Beatles, pop, sex, drugs and the 60s<BR>
An eye for an eye: Un Chien Andalou to The Terminator, Linda Ruth Williams 'eye horror'<BR>
Bernardo Bertolucci: Intrave
Backbeat: article on Backbeat, the Beatles, pop, sex, drugs and the 60s<BR>
An eye for an eye: Un Chien Andalou to The Terminator, Linda Ruth Williams 'eye horror'<BR>
Bernardo Bertolucci: Intrave
Issue 37
May 1994
May 1994
Main Cover
Pulp Instincts: pulp movies<BR>
Quentin Tarantino on Pulp Fiction: interview<BR>
Never at Home: Peter Wollen on Nicholas Ray<BR>
Loosening the Knot: On Set with Zhang Yimou: by Tony Rayns<BR>
Down the white road: Yuri Norstein, animator, interview<BR>
Fal
Quentin Tarantino on Pulp Fiction: interview<BR>
Never at Home: Peter Wollen on Nicholas Ray<BR>
Loosening the Knot: On Set with Zhang Yimou: by Tony Rayns<BR>
Down the white road: Yuri Norstein, animator, interview<BR>
Fal
Issue 38
June 1994
June 1994
Main Cover
Glowing in the dark: Krzysztof Kieslowski talks about Three Colours White<BR>
London: Necropolis of Fretful Ghosts: Iain Sinclair on low-life London<BR>
Odd man out: Andy Medhurst on Jack Lemmon<BR>
My time is not your time: Andy Warhol<BR>
Welcome to the
London: Necropolis of Fretful Ghosts: Iain Sinclair on low-life London<BR>
Odd man out: Andy Medhurst on Jack Lemmon<BR>
My time is not your time: Andy Warhol<BR>
Welcome to the
Issue 39
July 1994
July 1994
Main Cover
Sibling rivalry: The Flintstones and Hollywood's reliance on television<BR>
It all happened in Paris: Alphaville reappraisal<BR>
Insane memory: Chris Petit on Chris Marker<BR>
Goings and comings: Go Fish and how it was realised<BR>
Boomers and busters: Jo
It all happened in Paris: Alphaville reappraisal<BR>
Insane memory: Chris Petit on Chris Marker<BR>
Goings and comings: Go Fish and how it was realised<BR>
Boomers and busters: Jo
Issue 40
August 1994
August 1994
Main Cover
The Sphinx without a riddle: the Coen Brothers and genre<BR>
Sorrowful black death is not a hot ticket: bell hooks Spike Lee's Crooklyn<BR>
Tavernier on Mackendrick<BR>
Black is...black ain't: Kobena Mercer on Marlon Riggs' films<BR>
Being Human: Bill For
Sorrowful black death is not a hot ticket: bell hooks Spike Lee's Crooklyn<BR>
Tavernier on Mackendrick<BR>
Black is...black ain't: Kobena Mercer on Marlon Riggs' films<BR>
Being Human: Bill For
Issue 41
September 1994
September 1994
Main Cover
In memory of Peter Cushing; by Freddie Francis<BR>
Sisyphus in Ray-Bans: Ian Penman on Jack Nicholson <BR>
Alain Resnais: interview with Alain Resnais and Alan Ayckbourn by Jonathan Romney<BR>
Waiting for the end: an appraisal of Resnais' career<BR>
Blood
Sisyphus in Ray-Bans: Ian Penman on Jack Nicholson <BR>
Alain Resnais: interview with Alain Resnais and Alan Ayckbourn by Jonathan Romney<BR>
Waiting for the end: an appraisal of Resnais' career<BR>
Blood
Issue 42
October 1994
October 1994
Main Cover
Action!: Richard Dyer on Speed and action movies<BR>
Chaos and anger: Tony Rayns in Beijing<BR>
Making saccharine taste sour: Martin Walker on Forrest Gump<BR>
Lindsay Anderson: Unrequited lover: Gavin Lambert on the man and his last film Is That All Ther
Chaos and anger: Tony Rayns in Beijing<BR>
Making saccharine taste sour: Martin Walker on Forrest Gump<BR>
Lindsay Anderson: Unrequited lover: Gavin Lambert on the man and his last film Is That All Ther
Issue 43
November 1994
November 1994
Main Cover
Making Frankenstein and the monster: set-report on the making of Mary Shelley's Frankenstein<BR>
Ladybird and Ladybird: Ken Loach and Rona Munro interviewed<BR>
Quentin Tarantino on Pulp Fiction<BR>
The worlds of Harry Saltzman: Len Deighton remembers<BR>
Ladybird and Ladybird: Ken Loach and Rona Munro interviewed<BR>
Quentin Tarantino on Pulp Fiction<BR>
The worlds of Harry Saltzman: Len Deighton remembers<BR>
Issue 44
December 1994
December 1994
Main Cover
Why do I have to provoke?: Oliver Stone talks about Natural Born Killers<BR>
Learning to scream: Linda Williams on Psycho<BR>
Dying for art: Peter Wollen on Peeping Tom<BR>
Beginnings, endings and the stuff in-between: interview with credit sequence desig
Learning to scream: Linda Williams on Psycho<BR>
Dying for art: Peter Wollen on Peeping Tom<BR>
Beginnings, endings and the stuff in-between: interview with credit sequence desig