2001
Issue 117
January 2001
January 2001
Main Cover
<FONT COLOR='#ff0000'>In bed with the film council</FONT>: The Film Council's clean-slate approach promises all things to all film-makers. Nick James probes the rhetoric to find out what new British cinema might be.<BR>
<FONT COLOR='#ff0000'>Thieves on th
<FONT COLOR='#ff0000'>Thieves on th
Issue 118
February 2001
February 2001
Main Cover
<FONT COLOR='#ff0000'>Six degrees of Nosferatu</FONT>:The circumstances surrounding F. W. Murnau's classic 1922 vampire film are still a subject for speculation. Thomas Elsaesser unravels a web of connections.<BR>
<FONT COLOR='#ff0000'>Take it like a girl
<FONT COLOR='#ff0000'>Take it like a girl
Issue 119
March 2001
March 2001
Main Cover
<FONT COLOR='#ff0000'>Bloodred horizons</FONT>: When Mike Nichols bought the neo-Western <I>All The Pretty Horses</I> he thought it was the hottest property since <I>The Graduate</I>. Jim Kitses asks if Billy Bob Thonrton's film lives up to expectations.<
Issue 120
April 2001
April 2001
Main Cover
<FONT COLOR='#ff0000'>Emotional engineering</FONT>: Edward Yang's <I>A One And A Two....</I> has the family traumas of a soap opera glimpsed through half-closed doors. Nick James celebrates a film that captures Taiwan's middle classes on the verge of a ne
Issue 121
May 2001
May 2001
Main Cover
<FONT COLOR='#ff0000'>Paradise lust</FONT>: Nicolas Cage is as good as ever in the war romance Captain Corelli's Mandolin, but why is the film
nostalgic for old-style Hollywood, and why is the US so keen on the Europudding, asks Jose Arroyo.<BR>
<FONT COL
nostalgic for old-style Hollywood, and why is the US so keen on the Europudding, asks Jose Arroyo.<BR>
<FONT COL
Issue 122
June 2001
June 2001
Main Cover
<FONT COLOR='#ff0000'>Strictly red</FONT>: Baz Luhrmann's <I>Moulin Rouge</I> spins Madonna and Marilyn Monroe, Orpheus and Toulouse-Lautrec into
a glittering web of fin-de-siecle Paris. Graham Fuller talks to the director about reinventing the musical.<B
a glittering web of fin-de-siecle Paris. Graham Fuller talks to the director about reinventing the musical.<B
Issue 123
July 2001
July 2001
Main Cover
<FONT COLOR='#ff0000'>Cannes 2001: What's the story, moaning glory</FONT>: Cannes 2001 boasted new films from Godard, Lynch, Kiarostami, the Coens, Koreeda, Solondz and Claire Denis, plus a re-edited version of Coppola's <I>Apocalypse Now</I>. So why do B
Issue 124
August 2001
August 2001
Main Cover
<FONT COLOR='#ff0000'>Mr Pink, Mr Indie, Mr Shhh</FONT>: A favourite of the Coens and Tarantino, Steve Buscemi is the king of indie actors. As he directs his second film <I>Animal Factory</I>, Philip Kemp dissects the jittery unease and querulous yammer t
Issue 125
September 2001
September 2001
Main Cover
<FONT COLOR='#ff0000'>Gorilla warfare</FONT>: The new <I>Planet Of The Apes</I> dresses its big stars in elaborate simian costumes and features cutting-edge action scenes. But has Tim Burton lost his way, asks Andrew O'Hehir. Plus Kim Newman recalls a tim
Issue 126
October 2001
October 2001
Main Cover
<FONT COLOR='#ff0000'>Dead man walking</FONT>: The Coens' new film <I>The Man Who Wasn't There</I> may look like classic noir, but its ego-bereft hero and homely femme fatale confuse the moral maze, argues Graham Fuller. Plus DoP Roger Deakins talks to Ph
Issue 127
November 2001
November 2001
Main Cover
<FONT COLOR='#ff0000'>Casualties of war</FONT>: Francis Ford Coppola abandoned rather than completed his masterpiece Apocalypse Now. Philip Horne surveys the additional scenes of humour, sex and politics in the director's longer new cut and asks, did less
Issue 128
December 2001
December 2001
Main Cover
<FONT COLOR='#ff0000'>Babes in Babylon</FONT>: David Lynch's Mulholland Dr. weaves glam lesbian sleuths, Hollywood doo-wop starlets and limo-riding mobsters into an LA wish-fulfilment dream that suddenly crumbles into nightmare. Graham Fuller is in the ps