1998
Issue 81
January 1998
January 1998
Main Cover
<FONT COLOR='#ff0000'>Night Fever</FONT>:
Boogie Nights examines the well-
endowed and the self-deluded in
the 70s porn industry. Director Paul
Thomas Anderson talks to Gavin
Smith about his fascination with
hardcore's performers.<br>
<FONT COLOR='#ff000
Boogie Nights examines the well-
endowed and the self-deluded in
the 70s porn industry. Director Paul
Thomas Anderson talks to Gavin
Smith about his fascination with
hardcore's performers.<br>
<FONT COLOR='#ff000
Issue 82
February 1998
February 1998
Main Cover
<FONT COLOR='#ff0000'>The road not taken</FONT>:
Martin Scorsese's life of the Dalai
Lama, Kundun, has upset the Chinese
government and put its distributor
in an awkward fix. Amy Taubin talks
to the director about rage, form and
the beauty of passivity.<b
Martin Scorsese's life of the Dalai
Lama, Kundun, has upset the Chinese
government and put its distributor
in an awkward fix. Amy Taubin talks
to the director about rage, form and
the beauty of passivity.<b
Issue 83
March 1998
March 1998
Main Cover
<FONT COLOR='#ff0000'>The mouth and the method</FONT>:
Quentin Tarantino's Jackie Brown
brings together blaxploitation and
Elmore Leonard pulp. He explains
why he's a 'method writer' and why
he's not afraid to use the 'N' word.
Intrview by Erik Bauer.<br>
Quentin Tarantino's Jackie Brown
brings together blaxploitation and
Elmore Leonard pulp. He explains
why he's a 'method writer' and why
he's not afraid to use the 'N' word.
Intrview by Erik Bauer.<br>
Issue 84
April 1998
April 1998
Main Cover
<FONT COLOR='#ff0000'>Absolute precision</FONT>:
With Live Flesh, Pedro Almodovar
takes a Ruth Rendell crime novel
apart and welds it back together with
politics, passion and elegance.
By Paul Julian Smith.<br>
<FONT COLOR='#ff0000'>Scuzzballs like us</FO
With Live Flesh, Pedro Almodovar
takes a Ruth Rendell crime novel
apart and welds it back together with
politics, passion and elegance.
By Paul Julian Smith.<br>
<FONT COLOR='#ff0000'>Scuzzballs like us</FO
Issue 85
May 1998
May 1998
Main Cover
<FONT COLOR='#ff0000'>Saint Nick</FONT>:
Why is Nick Nolte Oliver Stone's,
Paul Schrader's and Alan Rudolph's
favourite troubled man? Geoffrey
Macnab considers the last of the
complex tough guys.<br>
<FONT COLOR='#ff0000'>X for 'X' films</FONT>:
What the
Why is Nick Nolte Oliver Stone's,
Paul Schrader's and Alan Rudolph's
favourite troubled man? Geoffrey
Macnab considers the last of the
complex tough guys.<br>
<FONT COLOR='#ff0000'>X for 'X' films</FONT>:
What the
Issue 86
June 1998
June 1998
Main Cover
<FONT COLOR='#ff0000'>Chemical Warfare</FONT>:
Terry Gilliam's Fear and Loathing
in Las Vegas turns Hunter S.
Thompson's gonzo journalism into
a manic drugs-and-desperation saga.
Bob McCabe talks to the director
about shooting fast and cheap.<br>
<FONT CO
Terry Gilliam's Fear and Loathing
in Las Vegas turns Hunter S.
Thompson's gonzo journalism into
a manic drugs-and-desperation saga.
Bob McCabe talks to the director
about shooting fast and cheap.<br>
<FONT CO
Issue 87
July 1998
July 1998
Main Cover
FONT COLOR='#ff0000'>Lucifer Rising</FONT>:
The Exorcist is probably the scariest
mainstream movie ever made.
As it is re-released, Mark Kermode
takes an exclusive look at unseen
out-takes and talks to all the key
participants.<br>
<FONT COLOR='#ff0000'>M
The Exorcist is probably the scariest
mainstream movie ever made.
As it is re-released, Mark Kermode
takes an exclusive look at unseen
out-takes and talks to all the key
participants.<br>
<FONT COLOR='#ff0000'>M
Issue 88
August 1998
August 1998
Main Cover
<FONT COLOR='#ff0000'>Bubble Boy</FONT>: The Truman Show, Peter Weir's satire
of a life lived on television starring
Jim Carrey, has been feted in the
US for its cleverness. But how
clever is it? <br>
<FONT COLOR='#ff0000'>Medium Cool</FONT>: Is the "
of a life lived on television starring
Jim Carrey, has been feted in the
US for its cleverness. But how
clever is it? <br>
<FONT COLOR='#ff0000'>Medium Cool</FONT>: Is the "
Issue 89
September 1998
September 1998
Main Cover
<FONT COLOR='#ff0000'>American Voyeur</FONT>: Velvet Goldmine is a kaleidoscopic glam-rock fantasia that celebrates artifice and blurs boundaries. Director Todd Haynes talks to Nick James about Oscar Wilde and working class heroes. Plus Mark Sinker traces
Issue 90
October 1998
October 1998
Main Cover
<FONT COLOR='#ff0000'>Blind date</FONT>: Elmore Leonard's laid back pulp is a hard nut for movie-makers to crack,
but Steven Soderbergh's understated Out of Sight succeeds where others fail, argues Peter Matthews. Plus Screenwriter Scott Frank talks to Le
but Steven Soderbergh's understated Out of Sight succeeds where others fail, argues Peter Matthews. Plus Screenwriter Scott Frank talks to Le
Issue 91
November 1998
November 1998
Main Cover
<FONT COLOR='#ff0000'>Pullinh the pin on Hal Hartley</FONT>: Hal Hartley's sixth movie, Henry FooL is his first to value real emotion over style, argues Ryan Gilbey. Plus London Film Festival highlights: Chris Darke on Radio On (Rernix); Nick James on Bul
Issue 92
December 1998
December 1998
Main Cover
<FONT COLOR='#ff0000'>With my game face on</FONT>: There's more to the poker movie Rounders than Matt Damon's stare and director John Dahl's swift atmospheres. It also calls the bluff of America's stonewalling relationship to class. By Shane Danielsen.<BR