2011
Issue 237
January 2011
January 2011
Main Cover
2010: The year in review: Nick James introduces the results of this year's annual S&S poll, in which 85 contributors from around the world pick the top five films they saw in 2010, and their other movie highlights of the past 12 months<br>
Memento mori: O
Memento mori: O
Issue 238
February 2011
February 2011
Main Cover
Features<br>
Howard Hawks: Slim and the silver fox: The years Howard Hawks spent with his second wife Nancy - aka 'Slim' - were the richest of his film-directing career, as her style and influence inspired him to live out a recurring dream of their relati
Howard Hawks: Slim and the silver fox: The years Howard Hawks spent with his second wife Nancy - aka 'Slim' - were the richest of his film-directing career, as her style and influence inspired him to live out a recurring dream of their relati
Issue 239
March 2011
March 2011
Main Cover
Features<br>
Lost and found: The Watcher in the Woods: What's the missing link between Tron, The Legend of Hell House and a big blue alien? For Joseph Stannard, it's Disney's cult 1980 fantasy The Watcher in the Woods<br>
Jafar Panahi: the green badge of
Lost and found: The Watcher in the Woods: What's the missing link between Tron, The Legend of Hell House and a big blue alien? For Joseph Stannard, it's Disney's cult 1980 fantasy The Watcher in the Woods<br>
Jafar Panahi: the green badge of
Issue 240
April 2011
April 2011
Main Cover
Features<br>
The pride and the passion: 25 years of the London Lesbian and Gay Film Festival<br>
After a groundbreaking quarter of a century, the LLGFF is still relevant, says programmer Brian Robinson<br>
Lost and found: The Red House<br>
Filmmaker Cha
The pride and the passion: 25 years of the London Lesbian and Gay Film Festival<br>
After a groundbreaking quarter of a century, the LLGFF is still relevant, says programmer Brian Robinson<br>
Lost and found: The Red House<br>
Filmmaker Cha
Issue 241
May 2011
May 2011
Main Cover
Features<br>
Bernardo Bertolucci: Just like starting over<br>
To mark a comprehensive Bertolucci retrospective, Tony Rayns looks back at the early 1960s, when the great Italian director hit his stride and emerged from the shadow of his mentors, Pasolini
Bernardo Bertolucci: Just like starting over<br>
To mark a comprehensive Bertolucci retrospective, Tony Rayns looks back at the early 1960s, when the great Italian director hit his stride and emerged from the shadow of his mentors, Pasolini
Issue 242
June 2011
June 2011
Main Cover
Issue 243
July 2011
July 2011
Main Cover
Issue 244
August 2011
August 2011
Main Cover
Features<br>
Lost and found: Across the Bridge:
A model of adaptation, Across the Bridge cleverly expands Graham Greene's original short story, says the screenwriter Paul Mayersberg<br>
The old soldier: Jean-Luc Godard's Film Socialisme:
More than hal
Lost and found: Across the Bridge:
A model of adaptation, Across the Bridge cleverly expands Graham Greene's original short story, says the screenwriter Paul Mayersberg<br>
The old soldier: Jean-Luc Godard's Film Socialisme:
More than hal
Issue 245
September 2011
September 2011
Main Cover
Issue 246
October 2011
October 2011
Main Cover
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Issue 247
November 2011
November 2011
Main Cover
Features<br>
Tarnished angel: Miss Bala: The story of a would-be beauty queen who falls foul of Mexico's drug gangs, Miss Bala is more than just another document of Latin America's social ills, says Paul Julian Smith<br>
Cover feature: BFI London Film Fes
Tarnished angel: Miss Bala: The story of a would-be beauty queen who falls foul of Mexico's drug gangs, Miss Bala is more than just another document of Latin America's social ills, says Paul Julian Smith<br>
Cover feature: BFI London Film Fes
Issue 248
December 2011
December 2011
Main Cover
Features<br>
Michael Shannon: trouble in mind: For years Michael Shannon has been building a reputation as an intense, risk-taking actor on stage and in supporting roles. But his compelling turn as the dream-haunted everyman in Take Shelter proves he can
Michael Shannon: trouble in mind: For years Michael Shannon has been building a reputation as an intense, risk-taking actor on stage and in supporting roles. But his compelling turn as the dream-haunted everyman in Take Shelter proves he can