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1999
Issue 93
January 1999
Main Cover
<FONT COLOR='#ff0000'>Reality is too shocking</FONT>: Upfront European films - including Lars von Trier's The Idiots, Francois Ozon's Sitcom and Gaspar Noe's Seul Contre Tous - are testing the censors with incest, real sex and graphic
violence. But do we
Issue 94
February 1999
Main Cover
<FONT COLOR='#ff0000'>Bayonets in Paradise</FONT>: Terrence Malick's return to cinema, The Thin Red Line, is a spectacular achievement - but its take on World War II provokes concern, argues Cohn MacCabe. Plus Geoffrey Macnab on author James Jones.<BR>
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Issue 95
March 1999
Main Cover
<FONT COLOR='#ff0000'>Welcome to the nerdhouse</FONT>: Todd Solondz's Happiness features a sympathetic paedophile. Neil LaBute's Your Friends &amp; Neighbors focuses on misogynists, rapists and philanderers. Charles Taylor wonders why so many US indie fil
Issue 96
April 1999
Main Cover
Game boy: Chris Rodley interviews eXistenZ director David Cronenberg<BR>
Tearing the roof off: Peter Mullan interviewed about Orphans<BR>
God's lonely man: Amy Taubin re-examines Martin Scorsese's Taxi Driver<BR>
A child's demon: David Thomson on Charles
Issue 97
May 1999
Main Cover
Make it yellow: Jonathan Romney interviews Theo Angelopoulos about Eternity and a Day<BR>
Bigger than life: Yvonne Tasker on Kathryn Bigelow's career<BR>
The Innovators 1920-1930: Laura Mulvey on Sam Warner<BR>
Farewell to Napoli: Nick James on Notting Hi
Issue 98
June 1999
Main Cover
Rubber reality: Kim Newman on The Matrix<BR>
Ms Tough: Leslie Felperin on the career of Judy Davis <BR>
Papa yakuza: Tony Rayns interviews Takeshi Kitano on the set of Kikujiro<BR>
Dooming the video: the arrival of DVD<BR>
The Innovators 1930-1940: Harvey
Issue 99
July 1999
Main Cover
<FONT COLOR='#ff0000'>Blood Symbol</FONT>: As a new morality campaign against Hollywood violence gains momentum, Mary Harron's film of American Psycho, Bret Easton Ellis' serial-killer trader tale, is at last being shot. Jeff Sipe talks to Harron and star
Issue 100
August 1999
Main Cover
<FONT COLOR='#ff0000'>Welcome to my nightmare</FONT>: Incest is a tough subject for any film-maker, but for Tim Roth, a British movie star making his directing debut, it's worth the risk.<BR>
<FONT COLOR='#ff0000'>Bill Murray: In cold blood</FONT>: How on
Issue 101
September 1999
Main Cover
<FONT COLOR='#ff0000'>Stanley Kubrick 1928-99 Resident Phantoms</FONT>: When The Shining was released in 1980 it was dismissed as a technical exercise in horror, but its reputation for distilling the uncanny has grown. Jonathan Romney thinks it may be the
Issue 102
October 1999
Main Cover
<FONT COLOR='#ff0000'>Women directors special soul survivor</FONT>: In the shape of Holy Smoke's Kate Winslet, Jane Campion offers up another of her complex, strong-willed heroines - but this time, argues Kate Pullinger, with the masochism excised.<BR>
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Issue 103
November 1999
Main Cover
<FONT COLOR='#ff0000'>Fine Cuts</FONT>: Sight and Sound samples the highlights of this year's London Film Festival with previews of new films from Claire Denis, Hou Hsia Hsien, Harmony Korine and Shane Meadows among others.<BR>
<FONT COLOR='#ff0000'>The f
Issue 104
December 1999
Main Cover
<FONT COLOR='#ff0000'>Juggling in the park</FONT>: Lars von Trier has cast child-woman pop diva Bjork for his new 100-camera musical. Stig Bjorkman talks to the director about what may be the most expensive Danish movie ever made.<BR>
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